Books represent the main areas of research within this body of work.
The categories arose from observing the concerns which are embedded in this practice. It has become a realisation that in almost every case, each work contains most of these components. However, every heading employs 20 images which perhaps most powerfully illustrate the themes. The considerations do not relate to concept or abstraction from visual observation, but to an in depth study of the technicalities which constitute the ‘language’ of painting in the abstract.